Face Plans

Above is the face plan I have made for the initial shot of Jess, when she is in a state of rapture and has hands covering various parts of her face. I have kept the makeup to a minimum and kept it to natural tones and shades.

This second face plan depicts the second shot that I have devised. This is when Jess is being tied up and forced to repent for her 'sins'. In this face plan, jess's makeup has been smudged accross her face and her eyeliner and mascara has run, to indicate that she has been crying.

Composition Sketches.

 It can be hard to make out, as the scanning quality was pretty poor, but this is the composition for my final shot. I want it to include Jess and Katie's hands intertwined whilst bible pages and crosses burn in the background, to show the abandonment of the church and the way that the church turns against her life choices.

This sketch is to depict my second shot, where Jess is tied up in the closet after refusing to repent. She has makeup down her face and wears a pained expression whilst pleading with the onlookers for help.

Flaunt Magazine

When looking for Fashion Editorials to inspire me, I stumbled across this fantastic shoot of Leighton Meester for 'Flaunt Magazine'. Photographed with the novel 'Oranges Are Not the Only Fruit' as an inspiration, the seventies inspired shoot graced the cover of Flaunt Magazine in November 2012.

Donning the iconic Vidal Sassoon 'bob', Meester is seen cosying up to another female form. This shot is something that I found extremely interesting, the positioning of the two women and the use of black and white in Post Production has created a heavy and sexual shot. There is a feeling of lust about the shot but the way the model touching Meester is positioned, facing away from the reader creates a sense of mystery.

I was mostly drawn to the lighting of this shot. The over exposed Post Production that has been added to this shot is something that drew my eye. The subtle connotations of religion with the jewellery lying on the floor, crosses strewn across the carpet are something which I feel has been executed very well. This subtle styling and creative composition of the shot are something which I would like to play around with when it comes to storyboarding my three chosen moments/shots.

Marie Claire Turkey

Photographed by Ayten Alpun for Marie Claire Turkey, this collection of images offers the reader an exciting combination of sexuality, seduction, mystery, drama and sin. Models Anna, Viola and Ozlem pose as deeply religious figures. Through the shots it becomes apparent that the characters being portrayed by the models are highly tempted by religious sins. The pictures tell a story of sin and regret  through the use of sweeping gowns, monochromatic colours and luxurious femenine lace.

I was particularly drawn to this shot as it showcases the temptation that Jess experiences when she meets Melanie. The styling of dark, sexual garments and provocative composition of the shot alludes to the theme of sin and presents the homosexual nature of the shot as dark and sinful, yet highly sexual. 

 The makeup in the above shot is exquisite. Again, I was drawn to the pale, luminous skin and the flawless appearance of the face. The eyes are the focal point of this shot. Shaped and shaded with browns and ochres, the eyes burn into the reader and create a dark, mysterious and extremely sexual feel to the shot. The eyes appear to be lined with a dark brown, black which has narrowed the eyes and allowed the fresh blue of the model's iris to pop out.

Kate Moss Fashion Bible

When researching fashion images, I came across the cover spread for 'W Magazine' that Kate Moss had graced, named 'Spring's Fashion Bible'. I was in awe of the composition, the styling and the makeup that had been created for the various looks throughout the shoot. Shot by Steven Klein, W Magazine offer the reader the choice of a saintly or sinful protagonist.

I chose to include these shots as I felt that the simplicity of the makeup was extremely inspiring. I fell in love with the use of blood red lips in the above shot, and the almost sexual nature that this evokes. The dark red juxtaposes the almost virginal white of Kate's skin and teamed with the luxurious black lace, creates a dark and austere shot.

I was drawn to the shot above for the luminous skin that has been created. The face has been flawlessly highlighted to create an angelic and glowing look. I found this extremely inspiring and think that it may be something that I come to consider when creating the makeup looks for my  shoots.

I was particularly drawn to the styling of this shot. The contrast between the connotations to what is universally known as a Nun's attire sand the overtly sexual, PVC material are a styling choice that instantly intrigued me. Perhaps this could be a way of conveying the religious themes of 'Oranges are Not the Only Fruit' whilst also expressing the highly sexual nature of my chosen character, Jess.

Fine Art & Fine Art Photography

When thinking of the themes represented in the novel 'Oranges Are Not The Only Fruit', a section of the brief given to me by Dejan required me to find Fine Art and Fine Art Photography that related to the chosen character. I researched long and hard through books and sites to find the best pieces of work that I felt represented the most important themes of the book to me.

Cook Jenshel Photography

I came across Cook Jenshel whilst searching online. He captures atmosphere and feeling in his portraits and creates beautiful work. I love the use of black and white in the photography as the contrast of the light and dark is heightened through the use of greyscale. The centre of the photograph is an almost angelic figure, lit from the side to create an angelic focal point. The statue can be seen to foreshadow the strong religious upbringing Jess has. The reflection on the water shows that everything is not as it seems as everything is manipulated in the surface of the water. I feel that I can take inspiration from this as it can be used to show the darkness of the novel and the contrast in lighting can convey the struggle of Jess who has to battle her inner self.

 

 

Jane Fulton Photography

I was drawn to the peacefulness of Jane Fulton. The lighting is peaceful and can be seen as 'heavenly' and this series of photographs inspired me because they made me think about the journey that Jess goes through both physically and mentally. The beautiful, simple landscapes could reflect the simplicity with which Jess views life and the purity of her decisions and moral standings throughout the novel.

Hendrickje Stoffels (as the sorrowing virgin) by Rembrandt

1660

Oil on Canvas

 I chose this painting because of the symbol of the lone woman, the sorrowing virgin, and the meaning behind it. I felt that this could be compared to Jess at the beginning of the novel, the innocent, unfulfilled virgin who had no real life experience. The muted colour scheme of the painting could also be compared to the dull and dreary existence Jess has at the beginning of the novel, under her mothers' restraints.

The Birth of Venus by Sandro Boticelli
1482
Oil on Canvas

I chose this portrait because of the classical beauty it represents and the simple purity portrayed by Venus. Venus was the Roman goddess of love, fertility and beauty which are most certainly relevant to the themes represented by the character of Jess throughout the novel.


The Resurrected Christ by Rembrandt
1661
Oil on Canvas

I chose this portrait by Rembrandt because of the austere nature of the picture.The symbolism of Christ throughout the novel is so overwhelmingly prominent and so i felt that this was a perfect portrait to include. The darkness of the portrait can also be related to the darkness of the novel and the suffering that, like Jesus, Jess has to endure. She too is subjected to hatred and suffering but the whole time, her belief for Jesus never wavers. 

Fashion and Popular Culture

The modelling industry exploded during the 1960s. The introduction of new and excitingly different models to the fashion and makeup industry led to a cataclysmic change in the way the 1960swoman presented herself. The early sixties favoured a classic, older woman. One example of this is Jean Shrimpton on the cover of VOGUE. Shown wearing a white Christian Dior hat, Shrimpton has a mature bone structure sporting a shaded pastel blue eye with heavy mascara, large black eyeliner flicks and a red lip.

Lesley Lawson, a young girl from London was to burst into the fashion industry with such force that she would never be forgotten. Twiggy, as she was more popularly known, became the icon of young fashion and the first model to grow into a media personality.The explosion of Twiggy into the British fashion industry was to be the beginning of the young woman as an ideal. With her elfin crop and teenage figure, Twiggy emulated the 1920s garҫonne with her child like and youthful features. Twiggy later became known as the world’s very first international supermodel. 

I felt that Twiggy was so influential to both my project and the fashion of the 1960s that I have embedded a video containing a short piece about the influential model.

music of the 1960s had a large bearing upon fashion and makeup trends. The Beatles, a rock and roll group from Liverpool transformed the look, sound and style for not only their generation, but also of ones that followed. These four men revolutionized the music, fashion and makeup and hair industry of the 1960s in such a dramatic way, it hasn’t been the same since. The Beatles were famous for their matching tailored suits, mop-top haircuts and Cuban heeled boots. The mop-top hairstyle was so popular that the Beatle wig became the hottest novelty since the hula hoop.

Young men and boys all over the world idolised and replicated their fashions. This was an extreme turning point in 1960s fashion as men had never before been seen as fashion icons. The commercialisation of The Beatles’ look became so popular that it changed men’s fashion forever.